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| Genius of the Five String: Earl Scruggs, 1924-2012 |
I learned today of the death earlier this week of Earl Scruggs. Not everyone likes bluegrass music (due to the fall), but anyone who heard or saw him would have to be amazed at the musical innovation and ability of Scruggs.
Traditionally, the banjo had been played in what was called a clawhammer style. Largely, it was being strummed with the right hand with some chording of the left. Scruggs began using his thumb and index finger to pick notes, then added a third finger to the mix. To this he added speed and incredibly dexterity. He had picked up the banjo as a way of finding consolation after his father's death. In North Carolina, the word was that if you threw a rock, you would hit a banjo picker. And he rose above even the many other good players of his time.
By the 1940s, he left working the factories and farms and took to music. Bill Monroe was still in the developmental stages of creating bluegrass music. (Of course, like Calvinists arguing theology, country musicians argue about whether bluegrass music was created by Monroe. Ralph Stanley insists that he does not play bluegrass. "Bill's music and mine and Carter's was different." Not even Gordon Clark and Cornelius Van Til could sort the differences and they tried.)
Dave Aikman was playing banjo for Monroe. You will remember Dave Aikman as Stringbean. He was a comedian and a fair banjo picker who only clawhammered the instrument. He really couldn't keep up with what Monroe was doing.
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| The Golden Age of Country Music: Bill Monroe on mandolin, Lester Flatt on guitar, and Earl Scruggs on the banjo, playing the Purina Dog Chow portion of the Grand Ole Opry |
Monroe heard and witnessed Scruggs' playing and hired him on. As Bill said, "We pitched the music higher and faster than it had ever been done before." In the post-war world, where everything was speeding up and radio was the medium of information, Monroe's creation was coalescing into a musical genre. As President Ronald Reagan later told Monroe, "You are the only American to have created a whole separate form of music." (Later that day, Monroe was nearly arrested when a gun was discovered in his briefcase and he reported that he had been to the White House. He demanded to be released since he was playing the Opry that night. He was fined and released.)
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| One of the legendary bluegrass acts of all time: Lester Flatt and Earl Scruggws |
Then came the 1960s. A folk music revival suddenly put Bluegrass musicians on the center stage.
Add to that, the Beverly Hillbillies show began and the theme was a Flatt and Scruggs song, "The Ballad of Jed Clampett." At least 3 times, Flatt and Scruggs showed up on the Beverly Hillbillies as a friend of the Clampett family.
Then Flatt and Scruggs played the theme song to the movie "Bonnie and Clyde"--previously known as "Foggy Mountain Breakdown," now also known as "The Bonnie and Clyde Theme."
The two best Flatt and Scruggs albums ever were "Flatt and Scruggs at Carnegie Hall" and the recording they did for the Bonnie and Clyde movie. That latter record does not seem to be out there anywhere. My brother-in-law loaned me his copy back in the 1960s, but apparently sold it in a garage sale. "Flatt and Scruggs at Carnegie Hall" was re-released in an expanded CD form a few years back. (I want it.) When you hear those Yankees hollering out "Martha White!" after every song, it is thrilling. Lester Flatt finally responded, "I keep hearin' folks yellin' for 'Martha White.' I didn't know y'all had heard of that way up here. Don't know if we can remember it or not. Only been singin' about ten year." The audience exploded when they performed it.
Scruggs and Flatt broke up some years later. Earl Scruggs wanted to play more progressive, upbeat bluegrass with his sons. Flatt wanted to stick to the traditional stuff. Scruggs and Flatt talked of some reunion playing around 1979 when Flatt was recovering from heart problems. He died soon after.
Scruggs got some special attention some years later when the Nitty Gritty Dirt Band got him, Mother Maybelle Carter, Jimmie Martin, Roy Acuff, Doc Watson, and Merle Travis together for the first of a series of great recordings called "Will the Circle Be Unbroken." That collection is priceless for the music and the talk.
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| A musical gold mine |

























